If multiple tracks are selected, any changes you make to these choosers will be applied to all selected tracks. Setting up the audio interface’s outputs works the same way via the output chooser pair. Entries in this chooser each have meters next to their names to help you identify signal presence and overload (when the meter flashes red). The Input Channel chooser then offers the individual input channels. In“ from the Input Type chooser of an audio track. When the In/Out section is expanded, you can press the Delete key to reset the Monitor buttons to the default (“Off” for audio tracks and “Auto” for MIDI tracks), or you can select the Edit menu option “Return to Default.”Īn audio interface’s inputs are selected by choosing “Ext. The Monitor buttons can also be restored to their default state. If multiple tracks are selected, pressing one of the Monitor buttons applies this selection to all of the selected tracks. If you are recording into Live with monitoring set to “Off,“ you may want to make the Audio Preferences’ Overall Latency adjustment, which is described in the built-in program tutorial on setting up the Audio Preferences. ![]() Generally, it is preferable to work with an audio interface that allows for negligible latencies (a few milliseconds). This is useful when recording acoustic instruments which are monitored “through the air,“ when using an external mixing console for monitoring or when using an audio hardware interface with a “direct monitoring“ option that bypasses the computer so as to avoid latency.
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